|The Story of Norwegian Rosemaling
Rosemaling is the decorative folk painting of Norway and its history began in the low-land areas of Eastern Norway about 1750 inspired by upper-class artistic styles when Baroque, Regency and Rococo were introduced to Norway’s rural cultures. At first Norway’s painters followed these European styles closely.
If you came across this article as a student preparing a research paper, consider delegating the task to https://essayhub.com/ essay writing help professionals. Yet, in case a brief overview will suffice, keep reading this article!
At the beginning of the century, Norway had a population of a mere 500,000 – with only 40,000 people living in what was defined as urban areas. It was a society based on the age-old ways of agriculture, fishing and hunting – and people lived on farms or in cottages scattered across the long-stretched landscape.
So while writing your research, try to take into account all listed features. The art writers from EssayWriterCheap emphasize that cultural differences are the main factors to count on as well as historical background.
The story of Norwegian rosemaling
The painters who rosemaled for their livelihood were trained within a “guild” and they traveled from county to county painting churches and/or the homes of the wealthy for a commission of either money or merely room and board. Thus, rosemaling was carried over the mountains and toward Norway’s western coast.
Related: Norwegian Stave Churches
How did Rosemaling come to America?
Per Lysne, a Norwegian immigrant from Stoughton, Wisconsin rekindled an interest in Scandinavian folk art when his “Smørgaasbord” plates were sold in Chicago’s Marshall Fields department store in the late 1930’s. European folk art was rediscovered through home decorating magazine articles in the 1930’s and 1940’s.
Related: Art and Culture in Norway
A traditional form of art
The art displays many stylized flowers and scroll forms, combining blended colors and fine outlines on a plain background color. Traditional paint colors were derived from local raw materials, for example, rust red came from red iron oxide in the ground. Brushes were made of hairs from a squirrel’s tail or a cow’s ear.
Once farther away from the influence of the guilds, these artists tried new ideas and motifs. Soon strong regional styles developed. The Norwegian authority on the art of decorative painting – or rosemaling Nils Ellingsgard has through his gem of a book, Norsk rosemaling, given us a better understanding of this world of artistic beauty.
As time passed the Telemark and Hallingdal valleys became known for their fine rosemaling.Upon their exposure to rosemaling, rural folk would often imitate this folk art. Not having been taught in an urban guild, the amateur became spontaneous and expressive in his work on smaller objects such as drinking vessels and boxes.
The future of rosemaling
The Story of Norwegian Rosemaling, written by Tor Kjolberg