Only 25 minutes away from the popular Røldal ski center in Norway you find the architectural gem, the Energy Design Hotel, built in the 1960s by the famed Norwegian architect Geir Grung (1926-1989). It was originally a part of the hydro-power plant Røldal-Suldal Kraft.
The Kilen area at Nesflaten is a unique architectural site, located in the midst of the Norwegian Discovery Route, through the fjords in the Ryfulke and Hardanger districts, between Stavanger and Bergen. The trail is based on a historic travel route for overseas tour operators in the 1880s.
Energy Hotel has 14 double rooms, all with view of the Suldals Lake and the mountains
Geir Grung developed the plans for the Sildal power plant and an adjacent dining hall, which are listed among the 12 most significant modern buildings in Norway.
New owners took over the dining hall to transform it into an exclusive hotel in 2006.
In Energihotellet (The Energy Hotel) you can now enjoy original ‘60s furniture designed by Norwegian furniture designer Sven Ivar Dysthe, seen in the American TV-series Mad Men. You can also experience the warmth from the hotel’s very special fireplace in gold.
Architects Helen & Hard invited three artists to develop parts of the hotel’s interior with the intention to add more layers of exquisite value. The moveable reception is designed by Marli Mul, a dlecible textile room divider by Yngve Holen and furniture in the conference room by Randy Naylor.
There are good opportunities for hunting, fishing and hiking un the nearby mountains. The Energy Hotel has 14 double rooms, all with view of the Suldals Lake and the mountains. The Energy hotel offers delicious local food.
Norwegian architect Geir Grung
Geir Grung was born in Bergen. He was trained at Bergen Arts School (Bergen kunsthåndverksskole) and later at the Norwegian National Academy of Crafts and Art Industry in Oslo. He received his diploma as an architect in 1949 and established his own architectural practice in 1950. Grung was a so-called modernist, involved in a group of architects known as Team 10. He was also an active participant in the Congrès International d’Architecture Moderne
The Unique Energy Design Hotel in Norway, written by Tor Kjolberg
Not yet – but Sweden do has ambitions to be the world’s best startup country, and is already no. 2 according to the country’s startup manifesto.
According to the authors of the Swedish Startup Manifesto, they want “Sweden to become the most startup friendly country in the world where many, many young companies grow, thrive and stay.”
Swedish virtual srartup reality
Sweden is a tiny country, known for having high government spending. How can it expect to breed a large number of vibrant businesses?
In spite the fact that Sweden’s capital Stockholm is the second most prolific tech hub in the world on a per capita basis, behind Silicon Valley, many believe that the country’s big corporations push the Swedish economy forward. The fact is, however, that 99 per cent of all companies in Sweden are small businesses, which today account for four out of five jobs.
Sweden is a leading country when it comes to promoting the formation of ambitious new businesses. In spite of being a 10 million population country, no 89 on the world population ranking, the level of new and expanding startups is astonishing.
Spotify – a Swedish startup-company
For instance, the Swedish music-streaming company Spotify, started six and a half year ago by a 23-yar old boy from Stockholm, has reached a valuation of $8.53bn and is by many considered better than Apple Music.
European Unicorns startups 2015
Did you know that Skype was the first Swedish unicorn? It was bought by eBay for $2.6bn in 2005. Also the online-payment company Klarna and the gaming company King were founded in Stockholm.
Paradoxically enough, Sweden is the second best country in the world when it comes to producing modern billion-dollar startups. In Sweden there are 20 start-ups, compared to only five in the United States, when defined as companies of any size that have been around for at most three years – per 1,000 employees, according to data from OECD.
Skype creator Niklas Zennström
At the Inaugural Brilliant Minds Conference in Stockholm in June, Skype creator Niklas Zennström said, ““Stockholm is becoming a world leader in technology.” “We are living in an extraordinary time, and there is no doubt that Sweden is a leader in this proud new world. The dream we had of becoming a tech community 10 to 15 years ago is now becoming a reality,” added Spotify founder Daniel Ek.
The Swedish Startup Manifesto states: “Our goal is for Sweden to become the best country in the world when it comes to startups as a popular movement. Startups with a breadth of solutions from different industries, with founders from many different backgrounds, in different phases of developments, that creates jobs, welfare and the next generation of large companies.”
Spotify founder Daniel Ek
Not surprisingly, Sweden ranks highest in the developed world when it comes to perceptions of opportunity: Around 65 percent of Swedes aged 18 to 64 think there are good opportunities to start a firm where they live, compared to just 47 percent of Americans in the same age group.
According to a report published in March by the Stockholm-based investment firm Creandum, the Nordic region represents 2pc of global GDP but has accounted for almost 10pc of the world’s billion-dollar exits over the last decade, with more than half of these coming from Sweden.
For any economy, striving for efficiency, job creation and all-around dynamism, producing startups matter. Last year marked the best year ever in terms of exit value for Nordic companies, including three $1bn exits and more than $13bn in total exit value.
IKEA launching its first program for startups
During the financial crisis in the 1990s, when Swedish GDP growth sank and unemployment spiked, the government raised interest rates to 500 percent in an effort to avoid devaluation of its currency. The government also deregulated industries such as taxis, electricity, telecommunications, railways, and domestic air travel to increase competition. Deregulation helped lower prices in industries such as telecommunications, which attracted more customers. Some public services such as elder care and primary education were outsourced to private firms.
The tech scene in Sweden, with a population slightly more than London, thrives because of, not in spite of, its small population. The domestic market is too small for expansion, and Sweden has therefore always been exporters. Just think of Ericsson, Volvo, IKEA and …ABBA.
The 1990s financial crisis helped in fact Sweden to be a startup nation. Today the country has proved that a dynamic economy can coexist with relatively high taxes and a robust safety net. It has also proved that economies can change over time.
Sweden- the Best Startup Country in the World, written bvy Tor Kjolberg
In Copenhagen’s oldest wine shop Kjær & Sommerfeldt, now also a wine bar, you can choose between 1795 labels, even a Chateau Lafite Rotchild from 1870.
Kjær & Sommerfeldt, founded in 1875, was frequented by the Danish court and Nobel Prize-winner Niels Bohr, who came to buy Bordeaux wine, stored in the cellars in Gl. Mønt 4. Kjær & Sommerfeldt takes great pride in its illustrious heritage as well as its modern business approach. However, not much has been changed, a fact that should please today’s visitors.
Kjær & Sommerfeldt was founded in 1875
Charles Christian Kjær and Wilhelm Ferdinand Sommerfeldt established the company in 1875. They received a royal warrant, as wine merchant to the King 25 years later. They established their store In Gammel Mønt in 1928, a heritage location that is core to the company’s commitment to its histpry and soil. Since then it has welcomed wine connoisseurs and wine lovers.
Kjær & Sommerfeldt takes great pride in its illustrious heritage
Today, with a glass of wine in hand in this historic oasis, you can be inspired by the same atmosphere where the Danish cartoonist Storm P signed for his afternoon glass of wine with small drawings.
Charles Christian Kjær and Wilhelm Ferdinand Sommerfeldt established the company in 1875
Their little 1903 pocket-catalogue lists a chateau-bottled Château Margaux for DKK 5.00 ($0.62), an 1893 Johannisberger for DKK 6.00 and a 1893 Steinberger Cabinet for DKK 6.50. Kjær & Sommerfeldt has always specialized in fine wines from Bordeaux but over the years the portfolio has developed to include classic appellations and vintages as well as inspiring specialty wines.
Kjær & Sommerfeldt has seen many changes, from being a family-owned wine merchant to becoming a corporate business. From 1973 to 2008, the company had a succession of owners: Danish Carlsberg, Finnish Marli Group and Swedish V&S. Then in 2008, Mads Stensgaard, CEO of V&S Wine Denmark, made a management buyout, along with two external investors, Henrik Pedersen and Niels Boel Sørensen, and key employees. Kjær & Sommerfeldt became a privately owned company once again.
New wine bare at Kjaer & Sommerfeldt
Today it is an ideal place to learn about and enjoy wine. The wine shop has set up some service areas for both private and business customers. The shop, the wine bar and the first floor rooms overlooking the beautiful shop with its colossal, unique PH chandelier in the center, form a framework for wine tasting, wine festivals, conferences, launches and many kinds of experiences in the universe of wine.
The shop where you could buy popular wines is still there, and last month the former smokers’ room was respectfully restored to a new wine bar. There you can choose between 1795 different wines, which, in principle, mean their entire selection. The price is the shelf price plus a fee of DKK 150 a bottle. If you want a Chateau Lafite Rotchild from 1870 or a little more ordinary bottle – the choice is yours.
Every day, the staff selects a special wine to be served by the glass, but there’s also a wine list of 10-20 wines. If you’re hungry tapas plates and snacks are on the menu as well. .
Copenhagen’s Oldest Wine Shop, written by Tor Kjolberg
The exhibition Open Air at the Stavanger Museum of Fine Art, displaying the art of the Norwegian landscape painter Kitty Lange Kielland (1843-1914) is the largest exhibition of her works in Norway ever. It’s also a virtual exhibition.
Norwegian painter Kitty Kielland (Stavanger Museum of Fine Arts)
Kitty L. Kielland was the first Norwegian painter to paint outdoors and she treated her home district Jæren as a subject for her landscape painting.
Kitty Kielland: From Jæren
Kielland was born to an affluent family in Stavanger, the older sister of author Alexander Kielland. Kielland’s mutual interactions with her brother would be important to shaping her as an artist and feminist.
Kitty Kielland: After sundown
The exhibition consists of about 120 of her paintings, sketchbooks, drawings and watercolors, many of which were never shown, as well as 20 works by artists she was inspired by and collaborated with.
The exhibition consists of about 120 of her paintings, sketchbooks, drawings and watercolors
The name Open Air refers to both outdoor painting and freedom of expression. She studied painting with Norwegian painter Hans Gude in Karlsruhe, Germany, 1873–75. His adherence to realism inspired her and is visible in her later works.
Kitty Kielland: Sea Landscape
Through advanced 3D lenses (HoloLens), visitors can see a three-dimensional animation of Kielland herself painting, while they’re peeking over her shoulder.
Open Air catalogue
She was an unusual artist. While most female artists at that time painted interiors and portraits, Kielland specialized in landscapes. She painted her beloved landscapes of windswept Jæren, forests in northern France, mountains in Norway and calm ponds in Central Norway.
She lived in Munich from 1875-78, where she joined a colony of Norwegian artists living there. She studied with the French-inspired realist Hermann Balsch and with the Norwegian painter Elif Peterssen. The latter is considered to be her most important teacher.
In the exhibition catalogue, Norway’s foremost Kielland expert, Marit Ingeborg Lange, contributed, among other issues, to an article about her relationship with author Arne Garborg, whom Kielland was unhappy in love with. Author Karl Ove Knausgård, who recently made a Munch exhibition in Oslo, also expresses his admiration for the artist in the catalogue.
Kitty Kielland: Washing pond, Bretagne
In 1879 Kielland moved to Paris and exhibited there for the first time. She became briefly a pupil of the landscape painter Léon Germain Pelouse who lived in the area. Kielland left Paris in 1889.
Kitty Kielland: Lobster fishermen (private owner)
“Kielland conquered the landscape and made it her own. She was on the men’s arena, “says curator Margaret Lund Gudmundson.
Kitty Kielland: Landscape Cernay la Ville (National Museum, Oslo)
Under the influence of Jens Ferdinand Willumsen, Kielland worked on simplifying her art in the 1890. She participated eagerly in public debates regarding women’s rights. Towards the end of her life she hardly painted anything. She suffered from senile dementia and died in Kristiania (now Oslo) in 1914.
Open Air is produced by Stavanger Museum of Fine Art, in collaboration with Lillehammer Art Museum and Haugar Vestfold Art Museum. It’s on display in Stavanger through 29 October, and will then move to Lillehammer and Haugar.
Feature image (on top): Kitty Kielland: Summer Night (National Museum, Oslo)
Open Air – Art Exhibition in Stavanger, written by Tor Kjolberg
Twelve European photographers address and explore a changing Europe. The photo exhibition Shifting Boundaries has been touring Europe and has now come to the Nobel Peace Center in Oslo and their photos where it will be on display through 28 January 2018.
The twelve photographers interpret the theme very differently:
Ariana Arcara (Italy) introduces us to the 180 km long line, since 1974 dividing Cyprus and being controlled by UN-peacekeepers.
Arianna Arcara (EPEA)
Pierfranscesco Celada (Italy) has chosen to explore the metropolitan area just outside Milan’s present day city center, documenting an urban territory in expansion.
Pierfranscesco Celada (EPEA)
Marthe Aune Eriksen (Norway) investigates various areas in the borderlands between the city and periphery.
Marthe Aune Eriksen (EPEA)
Jakob Gansimeier (Germany) focuses on a journey through Poland, a country which has always considered itself as a borderland.
Jakob Ganslmeier ((EPEA)
Margarida Gouveia (Portugal) explores in her project The Mirror Game parts of two bodies where different objects and space are converted into digital data to be transferred onto a digital platform.
Margarida Gouveia (EPEA)
Marie Hald (Denmark) has documented the daily life of young women in Malawa, Poland during their fight against anorexia and bulimia.
Marie Hald (EPEA)
Dominic Hawgood (UK) focuses in methods associated with computer-generated images questioning the borders between the real and virtual.
Dominic Hawkgood (EPEA)
Robin Hinsch (Germany) combines 14 large-scale color photographs portraying the conflict in the eastern Ukraine.
Robin Hinsch (EPEA)
Eivind H. Natvig (Norway) documents the plight of Palestinian refugees in Norway. He has visited their descendants in Iraq, living in different parts of Norway.
Eivind Natvig (EPEA)
Ildikó Péter (Hungary) follows the unprecedented high number of immigrants arriving in Europe in the summer of 2015. He attends to the current situation of Europe and the futire of the European idea.
Ildikó Péters (EPEA)
Marie Sommer (France) focuses on the breakup of former Yugoslavia and the dissolution of a territory.
Marie Sommer (EPEA)
Christina Werner (Austria) examines the phenomenon of right-wing populism and violence on the old continent.
These are the topics featured in Shifting Boundaries, an exhibition about both physical and mental borders. Shifting boundaries is a photo exhibition about a changing Europe.
The photographers receive support for a period of six months to work on the topic, with four curators selected by each foundation. The resulting exhibition is displayed in four prestigious European cultural institutions.
The twelve photographers EPEA 03
“This is a thought-provoking exhibition about how Europe is changing,” says Liv Tørres, director of the Nobel Peace Center. “For many years, we have taken the European community for granted, but now we see that borders are springing up again and that increasing inequality and extremism are leading to new, invisible barriers between peoples.”
Shifting Boundaries is a visual experience in addition to a commentary on today’s Europe. The European Photo Exhibition Award (EPEA for short) is led and financed by the Norwegian foundation Fritt Ord, in conjunction with the Italian Fondatione Banca del Monte di Lucca, the Portuguese Fondation Calouste Gulbenkian and the German Körber-Stiftung. “The project is in itself an interesting and literally transborder collaboration between European non-profit foundations,” says Knut Olav Åmås, executive director of Fritt Ord.
The European Photo Exhibition Award (EPEA for short) aims to create a free space where socially relevant topics concerning Europe are developed and discussed by talented young European photographers. The twelve appointed photographers will translate their observations, analyses and statements on a set and socially relevant subject into a photo essay. The results are presented in joint touring exhibitions within Europe. The first exhibition was held at the Haus der Photographie in the Deichtorhallen in Hamburg in May 2012.
Oslo is the last stop of the exhibition which runs through 28 January 2018.
Feature image (on top) Atiana Arcara’s press card. She claims she survives in a world of male war photographers
Shifting Boundaries in Oslo, compiled by Tor Kjolberg
The mining town of Røros is sometimes called Bergstaden which means “the rock town” due to its historical notoriety for copper mining. It is one of the historically designated “mining towns” in Norway. Combining modernity with traditions, Bergstaden Hotel is a natural first choice in the heart of this historical and charming town.
All of the 90 rooms have been transformed into luxurious and cozy retreats, perfect after a day of exploring the old copper mining town and UNESCO World Heritage site since 1981.
The church in Bergstaden
The staff of the Bergstaden Hotel takes guest experience as the utmost priority and ensures that the wide range of activities and attractions on offer make for an unforgettable experience for young as well as old.
From the bar in Bergstaden hotel
The hotel also offers many entertainments. Home to two bars, a nightclub and the Peder Hjort Mathus (restaurant). In the restaurant, which really captures the rustic atmosphere of the area, you can indulge in an excellent menu. With an international influence, it keeps a strong focus on local ingredients for a true taste of Norway.
The breakfast at Bergstaden hotel is extraordinary
Bergstadens Hotel is an easy walk to the Røros railwaystation, and the hotel is right in the middle of the town! Norwegian breakfasts are widely known for its variety and quality, and Bergstaden Hotel is no exception. The breakfast there is extraordinary and features many products from the area,. Don’t miss the Norwegian waffles with plenty of flavorful cardamom!
Stockholm is an unusual city, and visitors may well want to explore the delights in an unusual way. There are certainly plenty of opportunities.
The city sails along on its 14 islands – join the water dance by taking to the Riddargjärden or Saltsjön in a kajak, rowing boat, paddle boat or canoe. Saltsjön is a bay of the Baltic Sea that extends from Stockholm archipelago to the inner city of Stockholm.
These days the old vessels are in service from May to September.
You can also enjoy one of the many 100 year old steamerswhich can take you as a visiting passenger to far away cozy small islands for a cheap ticket. On board there’s often served high standard food, like the “Ongbotsbuff” (Angbatsbiff), Steamship beef, or local fish with excellent sauce. Enjoy your meal with a cold beer in the sun.
Originally built to accommodate the new needs of bourgeoisie, travelling between the city and their summer houses, these old vessels still serve Stockholmers as well as tourists who want to cruise the archipelago in style. These days they are in service from May to September.
Djurgardsbron Sjöcafe, with restaurant, bar, pizzeria, kiosk, a visitor center and bicycle rental.
Don’t miss the charming Djurgårdsbron Sjöcafe which re-opened in 2013 with a restaurant, bar, pizzeria, kiosk, a visitor center and bicycle rental.
See the sights of Stockholm’s trendiest district through the eyes of Lisbeth Salander and Mikael Blomkvist
The Millenium Tour run by the Stadsmuséet takes thriller-lovers on to a walk round Södermalm. Here you can see the sights of Stockholm’s trendiest district through the eyes of Lisbeth Salander and Mikael Blomkvist. Over 80 million people have read Swedish author Stieg Larsson’s three Millennium books — The Girl with the Dragon Tattoo series. The tour gives additional background information about the popular characters.
Vertigo-sufferers may pale in the idea of a rooftop tour, but Upplev Mer’s ladders and catwalks allow access to the dizzy heights of Riddarholmen with views over Gamla Stan. Visitors can clamber across the top of Riddarholmen’s Old Parliament building, taking in eight of Stockholm’s islands with 360-degree views. It’s a beautiful sight that’s not for the faint of heart… or those afraid of heights.
If you’re here in winter, you can experience the nearest thing to flying with tour skating. Although routes depend on which parts of the archipelago are solidly frozen, tours generally end with a skate through central Stockholm, right past the Stadshus (City Hall). Don’t worry if you’ve never tried ice skating before, anyone can do it!
Unusual Views of Stockholm, compiled by Tor Kjolberg
Not quite. While the Danish-born pianist and comedian Victor Borge emphasized more on humor than playing the piano, Norwegian Aksel Kolstad (36) is a piano virtuoso using humor in his presentations.
Comedy writer Jeffrey Gurian described him, however, as “the new Norwegian Victor Borge”, while the Swedish paper Göteborgposten called him “The Franz Liszt of our time”.
Aksel Kolstad at his piano
Born 1981 in Oslo, Aksel took piano lessons from the age of four. His mother was an actress and singer who started to improvise with him on the piano. At the age of twelve, the legendary Professor Eva Sandvik Stugu developed his talents until the end of his teenage years. At 25 he completed his bachelor degree under Professor Sigurd Slattebrekk at the Norwegian Academy of Music in Oslo and continued to complete his master’s degree with the same professor performing George Gershwin’s piano concertos.
Since then he has performed his own virtuosic works for piano solo and conducted his orchestral works all over the world, always spiced with his natural comedian tendencies.
Aksel Kolstad performing on his Bechstein in his Café de Concert
When Kolstad had his debut concert in Carnegie Hall in New York In October 2010 it was with a full house and a standing ovation. “It’s one of the moments I am most proud of,” says Aksel to Daily Scandinavian. Therefore we understand why TIME magazine compared him to the classical music’s answer to Quentin Tarantino.
On this occasion the walls in Café de Concert were decorated by enlarged drawings by composer and artist Bjørn Kruse
Aksel Kolstad is not only a piano virtuoso but a respected composer as well. His aim is to share classical music with people, normally not genuinely interested in this kind of music. Therefore he opened his own concert gallery, Café de Concert, in 2003 (reopened in 2009). There he offers free concerts the last Thursday of every month.
In fact we attended the concert last month, where he was among other works brilliantly playing his second edition of “Variations on a theme of Rachmaninov”.
Café de Concert is a place where classical music melts with fantastic contemporary art. This
Splp calrinetist Fredrik Fors playing Stravinsky
evening professor and composer Bjørn Kruse was present, lecturing about some of his works, including his Concert for Clarinet and Orchestra (Chronotope) which he composed with collaborative efforts of solo clarinetist Fredrik Fors. Fors was also present performing three pieces for solo clarinet by Igor Stravinsky.
Enlarged drawings by Bjørn Kruse decorated the walls on this occasion.
Related: A Tribute to Viktor Borge
We asked Kolstad why he combines classical music with being a comedian, both genres an art in itself.
“Actually I am calling myself a humorist, while I’m often described as a comedian. I like that!” answers Aksel.
Composer Bjørn Kruse in front of one of his drawings
When we ask him what his biggest challenges are, he says it is to combine the two so that one doesn’t go at the expense of the other. “To me it’s important that the playing is spotless even when I’m including contrasting verbal moments of surprise,” he says.
By the end of this year Café the Concert will move from Tjuvholmen to the Vulkan area in Oslo.
“My aim is to make Café de Concert even better and hopefully even make the relatively newly restored Vulkan area stronger,” he adds.
Aksel Kolstad and our editor-in-chief
Aksel Kolstad has performed in several of the most respected chamber festivals in Norway as well as in Estonia, Russia and Asia – and even on Caribbean islands. Daily Scandinavian is in fact now in the process of arranging a set of concerts in Sri Lanka.
What Aksel does best is that he amazes his audiences by his virtuosic playing while he makes the public laugh. He turns his concerts into magical storytelling moments.
“I absolutely love Aksel’s amazing playing,” said David Juritz, internationally acclaimed violinist, London’s Mozart Players Concertmaster and Director of Burton Bradstock Festival.
Is he Norway’s Victor Borge? written by Tor Kjolberg
Interested in experimental, electronic dance music? Then you should pay attention to Norwegian electronica artist André Bratten (30).
According to Bratten, his music is inspired from a wide range of sources, giving it an easily identifiable sound that has helped him to win hearts and minds at home as well as abroad.
According to Bratten, his music is inspired from a wide range of sources
Andre Bratten was born in Oslo and grew up in a suburb of the Norwegian capital, Eiksmarka, which borders on the deep, dark Norwegian forest and he is now one of Norway’s most important names in experimental, electronic dance music.
Andre Bratten was born in Oslo and grew up in a suburb of the Norwegian capital
If you pay attention to his throbbing and pulsating tracks today, you can feel a musical relationship to Norwegian electronic masters Røyksopp as well as artists like Matro Area, Sigur Rós, Eno, Cluster and even Weather Report.
However, like most kids in the late 1990s, he was bitten by the hiphop bug, but he also got turned on by the Led Zeppelin records which he picked out from his father’s record collection.
André made his debut in 2013 with the album «Be A Man You Ant»
André made his debut in 2013 with the album «Be A Man You Ant» – a result of a refined working process on one modular synthesizer and one drum machine. Later same year he issued the EP “Math ilium lon”Brattens efforts with the synthesizer coincided with a huge boom in Norwegian electronic music, and his productions came to the attention of Norwegian ‘cosmic disco’ mogul Prins Thomas and his Full Pupp colony.
Bratten has been named “Trommer og Bass” (Drums and bass)
In 2015 he participated in the Oslo Ultima Festival with a contemporary closing composition, co-written with composer and violinist Ole-Henrik Moe.
From left to right, conductor Vivianne Sydnes, Andre Bratten and Ole-Henrik Moe
In general, his tracks share the exploratory vibe of the 80s synth pop pioneers, but he does not hesitate to do commissioned pieces for experimental music festivals the one day, and brutal techno in a studio the day after. He has been named “Trommer og Bass” (Drums and bass), probably because of his uncompromising rhythms in a multi-channel environment.
André Bratten (Red Bull)
Andre Bratten’s music rejects coziness and whimsy, and steps away from pleasing the crowd. You’ll find squelchy bugs in the bassbin, weird analogue squeegee smears, bright drum machine splats and an occasional significant pause.
Get ready to let it caress your antennae.
Norwegian Electronica Artist André Bratten, written by Tor Kjolberg
It has become a tradition for Copenhagen’s Michelin restaurants to open a low-priced version of their star awarded originals. Here’s our guide for visitors who like food at Michelin-level, but are not ready to empty their piggy bank.
Throughout Copenhagen starry Michelin restaurants open cheaper versions of themselves. The suppliers are often the same, the food is tasty, the ambition level is high, but the prices are affordable for the common man.
Formel B’s cousin Uformel opened in Studiestræde 69 in May 2014. The name Informal is both a word play of the name and a description of the restaurant’s atmosphere.
Even with the price of a starter of DKK 100, the ambition level in this super trendy restaurant is sky high. Perhaps not surprising, knowing that the chef and co-owner Frederik Rudkjøbing, former assistant of Rasmus Kofoed, is a gold medal winner in Bocuse d’Or.
AOC Bistro’s sibling No. 2 The gourmet restaurant AOC has long been considered one of Copenhagen’s top restaurants. First, Ronny Emborg acquired a Michelin star. Later Søren Selin has been responsible for the stylish restaurant.
However, if you’re not looking for crisp tablecloths and costumed waiters, you should head for Christianshavn.
No. 2 is a Nordic bistro with an international perspective with an impressive wine list. The bar is also worth a visit.
Noma’s sibling 108 (Closed in 2020, due to the pandemic)
Noma’s sibling 108 offers the same style as Noma, but has lower prices and a more relaxed atmosphere. It’s located just a stone’s throw from the original Noma in Strandgade 108, hence the name.
The smaller dishes start at 100 DKK, larger dishes around 135-180 DKK and desserts around 80 DKK. Often the chefs present the food at the table and unlike Noma the ingredients are from all over the world. Therefore don’t be surprised to find yuzu, sweet potatoes or combo on the menu.
Kiin Kiin at Nørrebro has long been one of the world’s best Thai restaurants. If you want to enjoy Thai food at Michelin level, just visit Chai Wong at Fredriksberg.
Chai Wong gives you value for money and even if the dishes not are quite as elaborate as at Kiin Kiin, the taste is surprisingly close – the prices taken into consideration.
No doubt there are family relationships here. Pony restaurant is located in the premises where Michelin big brother Kadeau started it all before moving to Christianshavn.
Pony has now inherited the room with adventurous chefs taking a little more culinary chances. It’s a slightly more noisy place but with prices starting at 110 DKK you’ll feel relaxed all right.
Jægersborggade has become a true food mecca, and when Relæ was awarded a Michelin star the street became a culinary attraction. But before all this, it all started in fact with Manfred & Vin just across the street.
So to speak, Relæ is in fact the little brother in this gastronomic relationship, but let it lie.
The fact is that Manfreds & Vin serves food that you can understand and consists primarily of small dishes in the starter size, which are split across the table and are served continuously from the kitchen. 7 dishes are available for 250 DKK.
Michelin Restaurants’ Lower-priced Siblings in Copenhagen, compiled by Tor Kjolberg